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AcNo. CoGNo. JA13113  AlGNo. JA13113
絵師: 豊国〈3〉 (Toyokuni (3)) 落款印章: 豊国画(年玉枠) / Toyokuni ga in red toshidama cartouche 絵師検索 
判型: 大判/錦絵 / ôban nishikie 寸法: 22.5 × 34.1 続方向: 作品位置: 001 枚組の 001 番目  01 枚続の 01 枚目
Col重複: 1 All重複: 1
版印1  板元1  板元名1:  山本屋平吉 / Yamamotoya Heikichi 
改印:  米良, 渡邊, Mera, Watanabe  出版年月: c. 1851 ()・4 出版地:  江戸 / Edo  同時作品
作品名:  小栗外伝浪七忠義切腹の場 
      Scene of the loyal Namishichi Committing Suicide from the Play "Oguri Anecdote") 
配役: 小栗判官 [1]坂東竹三郎 万長娘お駒 [3]岩井粂三郎 在原屋業平 [0]中山市蔵 / Oguri hankan [1 ] Bandō Takesaburō Tsumunaga musume o koma [3 ] iwai kumesaburō Ariwara-ya Narihira [0 ] Nakayama Ichizō   役者DB 
組解説:The ‘shita-uri’ seal (lit. low sale seal) appears in actor prints from 1850/1 to 1853/3. The purpose remains unclear. The position of the ‘shita-uri’ seal is mostly next to the signature or the publisher seal. This seal has been documented between II/1850 and II/1853. It was probably used for some years after the relaxation of the severe Tenpô Reforms (1842-47) that banned prints of theatrical subjects. Kabuki depiction had progressed from historical scenes with actors as heroes to flagrant depictions of kabuki, marked only with the "shita-uri" seal that meant such prints were not to be displayed openly in shops, where they might receive the notice of an official (i.e. low sale, or under the counter). Andreas Marks however, mentions that the term ‘shita-uri’ was in use in other business as well, for example in the fish wholesale where it meant a “negotiated transaction” between two parties. Marks raises the question if this seal was not a new constraint to the market but rather a way of liberalizing it by allowing publishers, with a restricted and limited number of prints, to get away from fixed prices and be more flexible in their pricing. (Andreas Marks, Publishers of Japanese Woodblock Prints: A Compendium, Hotei, 2011, p. 479-480).
系統分類:  役者絵, yakushae   画題:   
所蔵:The Complutense University of Madrid (UCM) 資料部門: 浮世絵
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