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AcNo. CoGNo. JA13106  AlGNo. JA13106
絵師: 豊国〈3〉 (Toyokuni (3)) 落款印章: 一陽斎豊国画(年玉枠) / Ichiyūsai Kōchōrō Toyokuni ga 絵師検索  画中人名:  八百屋お七 [1]坂東しうか / Bandō Shūka I as the greengrocer Oshichi 人物検索 
判型: 大判/錦絵 / ôban nishikie 続方向: 作品位置: 001 枚組の 001 番目  02 枚続の 02 枚目
Col重複: 1 All重複: 1
版印1  板元1  板元名1:  辻岡屋 文助 , Tsujiokaya Bunsuke 
改印:  米良渡辺, Mera, Watanabe  出版年月: 1851 ()・ 出版地:  江戸 / Edo  同時作品
作品名:  八百屋お七 
      やおやお七 
      yaoyaoshichi 
      The greengrocer Oshichi 
上演年月日: 1851()・ ・5 (9) 場所: 江戸 市村  興行年表 
興行名: 恋模様振袖妹背  こいもようふりそでめおと, Koi moyô furisode meoto
外題: 恋模様振袖妹背  こいもようふりそでめおと , Koi moyô furisode meoto 場名: 本郷八百屋之場 , Hongô´s greengrocer
配役: 八百屋お七 [1]坂東しうか / Bandō Shūka I as the greengrocer Oshichi   役者DB 
組解説:The shita-uri (シタ賣) seal (lit. low sale seal) appears in actor prints from 1850/1 to 1853/3. The purpose remains unclear. The position of the ‘shita-uri’ seal is mostly next to the signature or the publisher seal. This seal has been documented between II/1850 and II/1853. It was probably used for some years after the relaxation of the severe Tenpô Reforms (1842-47) that banned prints of theatrical subjects. Kabuki depiction had progressed from historical scenes with actors as heroes to flagrant depictions of kabuki, marked only with the "shita-uri" seal that meant such prints were not to be displayed openly in shops, where they might receive the notice of an official (i.e. low sale, or under the counter). Andreas Marks however, mentions that the term ‘shita-uri’ was in use in other business as well, for example in the fish wholesale where it meant a “negotiated transaction” between two parties. Marks raises the question if this seal was not a new constraint to the market but rather a way of liberalizing it by allowing publishers, with a restricted and limited number of prints, to get away from fixed prices and be more flexible in their pricing. (Andreas Marks, Publishers of Japanese Woodblock Prints: A Compendium, Hotei, 2011, p. 479-480).
系統分類:  役者絵, yakushae   画題:   
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